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'[Zoneis] an ambitious study of twentieth century conflict and disaster ... Enard does for the comma in Zone what Eimear McBride did for the full stop inA Girl is a Half-formed Thing, and just as McBride brought her writing a raw intensity and immediacy, Enard brings to his a similarly fierce political engagements and moral authority ... Enard's novel is to be seen within a tradition of French avant-garde writing ... The result is a modern masterpiece...'

- David Collard,Times Literary Supplement

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'[T]he material of a conventional thriller has been sublimated into an atmosphere of violence, power and cruelty; humanity here is little more than a vector through which various kinds of insanity flow.'

- Nicholas Lezard,Guardian

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'[T]he brilliance ofZonelies in its brutal refusal to stop. Again and again, Mathias Enard's white-knuckle narrative plunges us back into the battle-scarred past, forcing us to confront its horrors ... a relentlessly inventive novel.'

- David Winters,Literary Review

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'Zoneis a major and compelling work, a work that will keep you in its grip from its first utterance to its last.'

- Brian Evenson, author ofLast Days

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'Like Flaubert and James Joyce, Enard seems to have found a model for his omnivorous novel in the Homeric epic, while Ezra Pound's ghost also hauntsZone.... Enard's erudite and ambitious novel is ... a Flaubertian encyclopaedia of our times at the end of a violent century.'

- Stephen Burn,New York Times

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