n her sculptures, installations, films, and interventions in public spaces, Croatian artist Luiza Margan explores the disparity between officially recorded history and history which is invisible. She questions the ways in which power structures and ideological systems are etched into the public sphere and interwoven into collective memory. The installation Cache, created in the course of the Artist-in-Residence-Program of the ZF Kunststiftung, examines the traces of National Socialist rule left in the city of Friedrichshafen.

The title alludes to a hidden location, a concealed storehouse for information. Text in English and German.