Miguel Frasconi uses a menagerie of glass objects to create music from a uniquely imagined tradition. These objects are struck, blown, stroked and otherwise coaxed into vibration. Miguel has worked with the likes of renowned composers, John Cage, Brian Eno and James Tenney, and his studies have ranged from the music of Indonesia to the Fluxus movement. Denman Maroney plays what he calls hyperpiano, which involves bowing and sliding the strings with steel cylinders, Tibetan prayer bowls, rubber blocks and CD cases to create a unique sonic vocabulary. Denman also uses a system of temporal harmony based on the undertone series that allows him to improvise and compose in several tempos at once. With their release of Gleam, these two visionary musicians come together to take the listener through a dream like landscape of otherworldly sounds.