'Damogen Furies,' Squarepusher's first full-length since 2012's 'Ufabulum,' sees his powers in full flow with a record that has the brutal energy and vivaciousness of a debut.

Squarepusher's legacy is unassailable. From his early releases on Rephlex and his residency at the Blue Note, through his aggressive interpretations of ensemble jazz and the boundary-warping drum 'n' bass with which he is synonymous, Squarepusher has tilted ever forwards.

He has spent the last decade creating and refining his own unique software system, and 'Damogen Furies' emerges as the first album created exclusively with that system. It is the culmination of years spent experimenting with and hacking hardware and software, having long since abandoned the limitations of out-of-the-box offerings. On 'Damogen Furies' we hear a truthful, unembellished representation of how those instruments sound, with each recording made in one take, with no edits.

'Damogen Furies' sees the peak and confluence of the preoccupations that have emerged throughout Squarepusher's career, approached with the antagonism and audacity of an artist who still believes in the power of the intervention. Through 'Damogen Furies', Squarepusher aims to "explore as forcefully as possible the hallucinatory, the nightmarish and the brutally visceral capacities of electronic music."