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Classic 100-Music In The Movies

Classic 100-Music In The Movies
CD  |  Classical  |  11 Jun 2013
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ABC Classic FM’s annual Classic 100 survey is always a highlight of the classical music year, and this year’s edition, Music in the Movies, is the most popular yet. In just the first five days of voting, the number of votes had exceeded the final tally in any of the previous countdowns. The conversation on the Classic FM website and on Facebook took off, with listeners swapping ideas and memories, likes and dislikes, and wondering in anguished tones how their favourites could be fitted into the ten votes available.

All of us are children of the century of the moving image. Every generation for more than a hundred years has grown up with the movies, and music has always been part of that story. This survey covers both existing classical music that has been incorporated into film soundtracks, and music written specifically for the screen. The broad palette of the orchestra is used to express the emotional complexity and layers of storytelling that characterise great film-making. Music in the movies can convey grandeur, portent, intimacy and pathos in a few bars. And like all great music, there is mystery at its heart: how is it, for example, that the best film music can somehow convince us of our nostalgia for places and times that we have never lived in?

This 4CD set presents selections from the original movie scores and from classical works featured in more than fifty films: the top twenty, plus highlights from across the complete Classic 100 Music in the Movies.

Title: Classic 100-Music In The Movies

Format: CD

Release Date: 11 Jun 2013

Artist: Classic 100-Music In The Movies

Sku: 2225139

Catalogue No: 5343879

Category: Classical

Disc Count: 1

Transfer Format: Compact Disc

Video Format: Classical Music

Primary Audio: 5343879

Language: 0600753438794

Subtitles: Universal Music

DISC 1

MORRICONE The Mission – Gabriel’s Oboe (No. 1)

WILLIAMS Star Wars – Main Title (No. 2)

SHORE The Fellowship of the Ring – The Fellowship (No. 3)

VANGELIS arr. AYRES Chariots of Fire (No. 4)

JARRE Doctor Zhivago – Lara’s Theme (No. 5)

JARRE Lawrence of Arabia – Overture (No. 6)

BEETHOVEN Piano Concerto in E-flat major ‘Emperor’: II. Adagio un poco moto (No. 7) (The King’s Speech, Picnic at Hanging Rock, Dead Poets Society, Immortal Beloved)

BARRY Out of Africa – Theme (No. 8)

NYMAN The Piano – Big My Secret (No. 9)

WILLIAMS Schindler’s List – Theme (No. 10)

ALBINONI arr. GIAZOTTO Adagio in G minor (No. 11) (Gallipoli, The Trial)

SMEATON & ZAMFIR Picnic at Hanging Rock – Theme (No. 12)

R. STRAUSS Also sprach Zarathustra (Thus Spake Zarathustra): Introduction (No. 13) (2001: A Space Odyssey, Casino)

COATES The Dam Busters – March (No. 14)

WILLIAMS arr. BLACK Raiders of the Lost Ark – Main Title (No. 15)

MORRICONE Cinema Paradiso – Main Theme (No. 16)

MOZART Requiem: I. Introit (No. 17) (Amadeus, Elizabeth, The Big Lebowski)

DISC 2

THEODORAKIS Zorba the Greek – Zorba’s Dance (No. 18)

JOPLIN The Entertainer (No. 19) (The Sting)

KARAS The Third Man – Harry Lime Theme (No. 20)

MORRICONE The Good, the Bad and the Ugly (No. 21)

SHOSTAKOVICH arr. ATOVMYAN The Gadfly – Concert Suite: Romance (No. 22)

BARBER Adagio for Strings (No. 23) (Platoon, Lorenzo’s Oil)

WAGNER The Ride of the Valkyries (No. 26) (Apocalypse Now, The Blues Brothers)

KNOPFLER arr. WELLS Local Hero Saxophone Concerto: IV. Going Home (No. 27)

MOZART Piano Concerto No. 21 in C major ‘Elvira Madigan’: II. Andante (No. 31)

GERSHWIN orch. GROFÉ Rhapsody in Blue (No. 36) (Manhattan, Fantasia 2000)

DUKAS The Sorcerer’s Apprentice (No. 37) (Fantasia, Fantasia 2000)

DISC 3

GERSHWIN An American in Paris (No. 39) (An American in Paris, As Good As It Gets)

WESTLAKE Antarctica – Penguin Ballet (No. 41)

MAHLER Symphony No. 5: Adagietto (No. 45) (Death in Venice, Lorenzo’s Oil)

BACH Cello Suite No. 1 in G major: I. Prelude (No. 45) (Master and Commander, Hilary and Jackie)

HERRMANN Psycho – The Murder (No. 47)

ALFORD Colonel Bogey – March (No. 49) (The Bridge on the River Kwai)

MANCINI Breakfast at Tiffany’s – Moon River (No. 51)

ELGAR Cello Concerto in E minor, Op. 85: I. Adagio – Moderato (No. 52) (Hilary and Jackie, Lorenzo’s Oil, Paradise Road)

PUCCINI O mio babbino caro from Gianni Schicchi (No. 53) (A Room with a View, Assassins, G.I. Jane)

BACH Goldberg Variations: Aria (No. 55) (The English Patient, The Silence of the Lambs, Before Sunrise, Maurice)

TIERSEN Amélie – La Valse d’Amélie (Amélie’s Waltz) (No. 57)

BEETHOVEN Symphony No. 7 in A major: II. Allegretto (No. 60) (The King’s Speech, Immortal Beloved)

ROWLAND The Man from Snowy River – Opening Credits (No. 61)

J STRAUSS II On the Beautiful Blue Danube – Waltz (No. 62) (2001: A Space Odyssey, Before Sunrise, Cool Runnings)

DISC 4

WILLIAMS Superman – Main Theme (No. 69)

RACHMANINOFF Piano Concerto No. 3: I. Allegro ma non tanto (No. 70) (Shine)

ELGAR Enigma Variations: Variation IX ‘Nimrod’ (No. 71) (Elizabeth, Australia)

DEBUSSY Clair de lune (No. 75) (Ocean’s Eleven, Seven Years in Tibet, Frankie and Johnny, Twilight)

ADLER Genevieve – Waltz (No. 77)

ELGAR Pomp and Circumstance March No. 1 (No. 81) (Brassed Off, A Clockwork Orange, Fantasia 2000)

RAVEL Boléro (No. 84) 10, Allegro non troppo (Paradise Road)

BACH Brandenburg Concerto No. 3 in G major: I. [Allegro] (No. 87) (Truly Madly Deeply, Die Hard, Moll Flanders)

CATALANI Ebben? Ne andrò lontana from La Wally (No. 92) (Diva, Crimson Tide)

VAUGHAN WILLIAMS The Lark Ascending (excerpt) (No. 95) (The Year My Voice Broke)

WILLIAMS E.T. The Extra-Terrestrial – Theme (No. 99)


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