This is the culmination of a long and strange journey for Race, who started musical life in the Melbourne post-punk scene. This entirely instrumental album is at once pan-global in its influence, using African instruments like the ngoni, while also reflecting the duality of both sides of the brain - hence the punning title. What's so arresting about Between Hemispheres is its physicality. The ambience reminds of Eno and Harold Budd but elements of distortion suggest a man not afraid to get his shoes dirty. David Stubbs UNCUT January 2010.